Shot List and Analysis of Lyrics

Below is my Shot for Shot list of the song Joan of Arc by Jamie T:

PROLOGUE

0:00-0:05 – SHOT ONE, TWO, THREE, FOUR & FIVE (one for each change)

  • No lyrics at this time

Shot of camera following behind a small crowd of people (9-13 people, mixed genders) IN EDIT = Colour flashes that change as the distance between them does

  • Each distance = NEW COLOUR (red, green, blue, yellow and purple)

VERSE ONE

0:06- 0:08 – From the Hamilton to the A3

SHOT SIX

  • Inside room (cabin like area) stand in centre

SHOT SEVEN

  • Circle round the room for full lyric

0:09-0:13 – She must have been about 17 going on 18

SHOT EIGHT

  • Camera walks outside door

SHOT NINE

  • Turns back to look at Tom

SHOT TEN

  • Close up of Tom (non-direct address)

SHOT ELEVEN

  • Zoom out and turn to door again

0:14-0:17 – They used to undercharge her at the overpass

SHOT TWELVE

  • Continue walking out cabin step

SHOT THIRTEEN

  • Sit in one of chairs outside cabin looking at rest of people sitting in chairs alongside them

SHOT FOURTEEN

  • Camera turns to look up to sky

0:18-0:22 – Cigarettes taste best when they taste like daydreams

SHOT FIFTEEN

  • (New location; change to London) – Walking behind people (Tom, Dylan etc.)

SHOT SIXTEEN

  • Two different distances one fairly close then one at a much greater distance, lost in crowd maybe?

0:23-0:27 – But the days are long gone now

SHOT SEVENTEEN

  • Mid Close up of Tom sitting in Cabin (non-direct address) him interacting with others; not camera – on sofa camera on floor by TV

0:28-0:31 – But she still looks back

SHOT EIGHTEEN

  • Inside room (cabin like area) stand in centre and circle round the room for full lyric in opposite direction as it span before REVERSE

MUSIC CHANGE

0:32-0:42 – Back to the first ever boy she loved, who didn’t love her back

SHOT NINETEEN

  • Mid close up of Tom in studio (non-direct address)

SHOT TWENTY

  • Tom full body shot, standing in studio (non-direct address) talking to someone behind camera, casual

SHOT TWENTY-ONE

  • On ‘who didn’t love her back’ lyric; SLOW MOTION confetti thrown over Tom IN STUDIO

CHORUS ONE

0:43-0:45 – My Joan of Arc

SHOT TWENTY-TWO

  • Back to cabin area– mid close up of Tom sitting outside (non -direct address)

0:46-0:50 – A martyr in my bed

SHOT TWENTY-THREE

  • Mid close up of Tom with other girl(s) on bench by side gate

SHOT TWENTY-FOUR

  • Camera (sped up) leaving through side gate

SHOT TWENTY-FIVE

  • Once left through side gate; the second camera reaches actual gate, cute straight to next shot in field

0:51-0:55 – There’s three kind words, She never heard said

SHOT TWENTY-SIX

  • Whole 4 seconds spent running through field at medium pace ALONE – NO ONE ELSE AROUND, early evening time, red, yellow autumnal tones? Turns to slower pace before cutting to black then moving to next shot – ONE SHOT

BREAK

0:56-1:00 – (NO LYRICS)

SHOT TWENTY-SEVEN

  • No lyrics at this time

Shot of camera following behind a small crowd of people (9-13 people, mixed genders) IN EDIT = Colour flashes that change as the distance between them does

  • Each distance = NEW COLOUR (red, green, blue and yellow)

VERSE TWO

1:01-1:04 – I was caravans, bands, cans and backseats

SHOT TWENTY-EIGHT

  • Outside in garden? Lying on floor; staring up at sky

1:05-1:09 – She was more diazepam, trams, tans and spreadsheets

SHOT TWENTY-NINE

  • Spinning round in field

SHOT THIRTY

  • Spinning round in cabin

SHOT THIRTY-ONE

  • Spinning round outdoors

1:10-1:13 – Looking back then we both laugh

SHOT THIRTY-TWO

  • GO-PRO camera needed; looking down into cup and drinking from it

1:14-1:19 – Funny how you never give a fuck when you’re 20

SHOT THIRTY-THREE

  • Mid close up of Tom starts to ‘glitch’ colour starts to change (slightly to a dark red maybe burgundy colour)

1:20-1:23 – But she was alone then

SHOT THIRTY-FOUR

  • NEW LOCATION; ducks hill offside road gazing out of water
  • Clearly alone, empty area; no one else around

1:24-1:27 – And it still makes her mad

SHOT THIRTY-FIVE

  • Continued location; throwing stones into water

MUSIC CHANGE

1:28-1:38 – How the boys used to lead her on, Just to get in her pants

SHOT THIRTY-SIX

  • Full body shot of Tom in studio, casual (non-direct address)

SHOT THIRTY-SEVEN

  • SLOW MOTION confetti thrown over Tom IN STUDIO

CHORUS TWO

1:39-1:41 – My Joan of Arc

SHOT THIRTY-EIGHT

  • Back to being OUT STUDIO; Location = field
  • Calm pace going through field

1:42-1:46 – A martyr in my bed

SHOT THIRTY-NINE

  • Calm pace going through street of London

1:47-1:50 – Her lonely heart

SHOT FORTY

  • Walking behind group of people from a distance still in London

1:50-1:56 – Can find it hard to forgive and forget

SHOT FORTY-ONE

  • Trying to catch up to them – lost in crowd and clearly cold

SHOT FORTY-TWO

  • See hand reach out but is ignored

1:57-1:59 – The love she once had

SHOT FORTY-THREE

  • Stops in tracks, people get further away
  • Turns to a blur – OUT OF FOCUS

2:00-2:04 – Would run as soon as he read

SHOT FORTY-FOUR

  • Running down more empty path; still in London

2:05-2:09 – Those three kind words, She never heard said

SHOT FOURTY-FIVE

  • Whole 4 seconds spent running through field at medium pace ALONE – NO ONE ELSE AROUND, early evening time, red, yellow autumnal tones? Turns to slower pace before cutting to black then moving to next shot – ONE SHOT

BREAK

2:10-2:14 – (NO LYRICS)

SHOT FORTY-SIX

  • No lyrics at this time

Shot of camera following behind a small crowd of people (9-13 people, mixed genders) IN EDIT = Colour flashes that change as the distance between them does

  • Each distance = NEW COLOUR (red, green, blue and purple)

VERSE THREE

2:15-2:18 – So from the anagrams to the flat keys

SHOT FORTY-SEVEN

  • Walking through stone filled path

2:19-2:23 – Spend most of our time now counting back from 30

SHOT FORTY-EIGHT

  • Suddenly cut to opening of Ducks Hill location staring down then camera turns up to reveal location

2:24-2:27 – My old mate Terry just got discharged

SHOT FORTY-NINE

  • Ducks Hill location shot staring at shoes (tatted boots)
  • No upper body shown

2:28-2:32 – At her majesty’s pleasure he was never that cosy

SHOT FIFTY

  • Shows walking away – shot still focused on shoes

2:33-2:36 – But these older days we know now

SHOT FIFTY-ONE

  • Shot staring out onto the water during the daytime; MOVEMENT of water and wind

2:37-2:41 – Though they’re not all that

SHOT FIFTY-TWO

  • Shot staring out onto the water at sunset; MOVEMENT of water and wind

MUSIC CHANGE

2:42-2:51 – They’re some of the best ever days, that’ll ever have

SHOT FIFTY-THREE

  • REVERSE confetti shot of it being thrown over tom IN STUDIO

CHORUS TWO

2:52-2:54 – My Joan of Arc

SHOT FIFTY-FOUR

  • In studio close of ‘glitch’ of Tom

2:55-3:00 – A martyr in my bed

SHOT FIFTY-FIVE

  • Carry on from previous shot; changes to mid shot
  • Shows him laughing; natural

3:01-3:04 – Her lonely heart

SHOT FIFTY-SIX

  • Different close mid shot or close up of Tom off to side talking to someone off camera
  • New location – London

3:05-3:09 – Can find it hard to forgive and forget

SHOT FIFTY-SEVEN

  • Over the shoulder shot?? Blurred out shoulder of other person = Tom as pure focus
  • Still in London

3:10-3:13 – The love she once had

SHOT FIFTY-EIGHT

  • Zoom out of Tom still up London fade to complete no focus

3:14-3:18 – Would run as soon as he read

SHOT FIFTY-NINE

  • Whole 4 seconds spent running through field at medium pace ALONE – NO ONE ELSE AROUND, early evening time, red, yellow autumnal tones? Turns to slower pace before cutting to black then moving to next shot – ONE SHOT

3:19-3:23 – Those three kind words, she never heard said

SHOT SIXTY

  • Tom back IN STUDIO giving direct address to camera NO CONFETTI, flashes lighting changes not colour but darker and then lighter for the full five seconds

MUSIC CHANGE

BREAK

3:24-3:30 – (NO LYRICS)

SHOT SIXTY-ONE

  • No lyrics at this time

Shot of camera following behind a small crowd of people (9-13 people, mixed genders) IN EDIT = Colour flashes that change as the distance between them does

  • Each distance = NEW COLOUR (green, blue, yellow and purple)

SHOT SIXTY-TWO

LAST SHOT – 3:26-3:30

  • Last seconds = Director X style letterbox close NO FADE – STRAIGHT CUT (think Iggy Azalea’s Black Widow @ end)

END OF SONG

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